Basics
Extract a sample from a song and insert into our composition Simple sound like "ooh" workout stretching tempo. Done in "Tatu / influence of wine" remix.
Extract sample from a song and stretch tempo to match our composition. - Done in project where I had Damien Dempsey's bass riff with Kylie Manogue triplets.
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Understanding
See if I have a tuner in Ableton. Update: It seems in Live 8 that I don't?
See if I have a spectrum analyser. Answer: yes, "Spectrum" (under "Audio effects") is part of Ableton Live â
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Effects
Apply a low-pass filter to something
Apply a high-pass filter
Apply reverb
"pan to the sides" like the claps here https://youtu.be/O-Uw58Xfp8Q?t=268
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Synth theory
Use automation to change the cut-off frequency of (low-pass aka âhigh cutâ) filter (on synth), like at 4:44 ("Trick #4") leading up to a drop in https://youtu.be/1lkDCeh16tc, or at 6:00-7:00 in https://youtu.be/PHmDPEVKA-k
- That's similar to @11:55-13:00 in this video, where Michael uses the LFO in Serum, instead of adding automation to the session view:
Learn about FM synthesis. Like radio broadcasting carrier wave and modulating wave. Second oscillator modulates the frequency of our audible wave: result is overtones. Explained in Aus video, ansmad around 0:50-6:00 in this video:
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"Tape stop" = down-pitch = tip #3, around 3:00-4:00 here:
Chords
Automate (low-pass) filter to increase cut-off frequency leading into a drop. Effect: sound âopens upâ, âcreeps up on youâ, âbuilds (without increasing
Use arpeggiator
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Drums
Make a looping drum beat using kick, snare and two hi hats (one open, one closed)
Shift timing slightly (almost randomly) to make sound more human, less robotic, like in mins 1-3 in this video: https://youtu.be/zOVSOvsTXto
Put drum kit on 16 pads. Example: recreate the drumbeat of "Into the Ether" (Spotify link) using drum pads, including the cymbals that come in later.
- Different rhythms: https://youtu.be/GJ4Rce8QEs0
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Bass
Create our own synth-based kick bass. Adjust "master tune" like at 4:00 here
Create synth bass with two oscillators: one mono low and one higher frequencies stereo spread, as described here at 7:40
Create synth with second envelope controlling the filter (reduce cut-off frequency) to create a âpluckedâ sound, like around 9:00 in that same video (âessential Bass Theoryâ), or also around 7:00-8:00 in this video: https://youtu.be/tlygYWeOzTg
And the reverse of that: create synth with second envelope controlling the filter (âopen upâ = increase cut-off frequency), to create a âwahâ sound, like quickly mentioned (in passing) here 4:20-4:28 https://youtu.be/R30L1fIKzpU
Create synth that âkeeps goingâ, and slides between notes, like in Gosh (Jamie XX)
Create âlazyâ sliding/detuned sound like in drops in last minute in âPush my Luckâ
Another example of pitch bend: lead in the drop of Memories by KSHMR https://open.spotify.com/track/5drBLK41GUnnWt32JPlexx?si=q-KJ2_AiR2mwXwy04pY6hA
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Using Ableton Live
Record live
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Sampling
Slice recorded sound(s) to MIDI, then play with ADSR - see https://www.youtube.com/watch?v=ugxdBw-cXcs
Tune a sample to 12 notes so I can play an "instrument" using a recorded sound â like Ian did with Stu's voice (I think)
- This is "Sampler" or "Simpler" under Instruments, built into Ableton Live
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